黑帮领地

光看演员阵容和剧情简介，无疑是吸引人的，但通篇看下来却有种屎味巧克力的感觉。

如果说同期的《伦敦黑帮》还有大尺度的动作戏能提供爽点，那 《黑帮领地》 这部剧则乏善可陈。

首先是作为哈里根家族的Boss，无论是老007还是米伦老奶奶都给人一种失智的感觉，老头子一把年纪了还是精虫上脑，除去无能狂怒以外屁事干不了，老太太看似阴狠毒辣掌控全局，但实则外强中干恶心的一批......随着剧情的发展，真的无数次想让这对老逼灯下线的，尤其是老太太，这个角色真的不讨喜，完全没有《1923》中那种坚毅、大气的品质，纯纯来恶心人的。

其次是埃迪·哈里根，我在他身上看到了一个故人的影子......对，没错，就是乔弗里。

但乔弗里虽然惹人讨厌，但没有唐的感觉，这个埃迪简直是唐完了，一看到他的戏份必须要快进的，什么玩意......不过后来知道这货是老头子的种，也就能解释他为啥这么唐了。

最后是哈利，这个角色其实是挺拧巴的存在。

一方面哈里根家族这艘船已经快沉了，两个老逼灯离拉稀也不远了，另一方面他跟凯文还有兄弟情......最后他选择了跟凯文站在一起解决了里奇，但问题又来了，既然没有选择跳船，那他为什么不跟凯文说他跟贝拉之间没事呢？

（凯文属实是本剧最惨的角色了，没有之一）是为了下一季跟哈里根家族彻底决裂埋伏笔？

总之这里我没看懂。

两个老逼灯唱着歌、手拉手监狱转一圈出来了，不知道下一季又会整出什么幺蛾子。

总之希望下一季的唐人能少一点吧，也希望潜在的麦卡利斯特vs哈里根家族也能精彩一些。

Harry和Bella的关系，剧里表现的是有点儿暧昧，播了四集，Harry已经私下三次单独去找Bella帮她解决问题，尤其Bella说的那几句言辞暧昧的话，绝对是挑逗性的，就让人感觉俩人以前有点儿啥事似的。

不过第四集最出人意料的是Bella是Conrad的旧情人、爹把情人转手给儿子这一重磅，这么来看，Harry和Bella就不太可能有过啥了，而以Harry对Kevin的义气和对Harrigan家的忠诚感来说，他也不太可能和Bella有过啥。

就连汤老师在接受Collider采访时被问Harry跟Bella咋回事时都说There's nothing going on there. 不过第四集最后俩人对Kevin的问话回答不一，估计也对未来三人关系的走向埋下了伏笔（讲真，感觉Kevin实惨：蹲监狱被侵犯、老婆是爹给的二手、儿子是个疯批祸害而且是不是亲生的现在都说不好、自己住的房子还被炸飞了） 。

这剧是慢热型（不管咋说，汤老师的Hardy Son & Baker到现在为止不做烂剧，自己公司拍的自己主演的目前也只有《禁忌》和MobLand，IMDb打分都是8.3），第一集无感，之后渐入佳境。

得赞一个汤老师，做到了演技松弛+张力兼得，是暴徒，却也彬彬有礼 （突然让我想到略萨在他小说里用的词“温柔的暴力或粗暴的柔情”），无论什么惊悚血腥场面，几乎没有情绪失控的时候，只有Jan告诉他Conrad来过家里后，才惊爆F四字（说到汤老师，这些年下来，他是只接狠人戏不接普通人的戏了，反正要么是黑帮、犯罪分子、恶徒亡命徒，要么是警察、军人、拳击手、不怕死的勇夫啥的，也对，很多年前看过他演一个轻喜风格小浪漫风的电影，就感觉非常不搭，难怪他自己都说再不演这款了。

可惜，看不到汤老师演个深情款，就连年轻时演爱情戏，也挑了个个色的——《呼啸山庄》里的希刺克厉夫。

尽管汤老师现在接受采访时总嘲自己又老又丑，但也奇怪，无论是十多年前还是现在，只要看他的戏，总能不由自主被迷住）。

BTW，第二集Harry在酒吧暴虐店主那段的BGM是The Prodigy的Breathe，和汤老师的气场真是太搭太带感了，找了一下剧里的歌曲（更新中）：Starburster – Fontaines D.C. (Opening Theme / Closing Credits Music) Episode 1 “Stick or Twist” Deeper Underground – Jamiroquai & Don Diablo Firestarter – The Prodigy Episode 2 “Jigsaw Puzzle”Dark Days – Yard Act gy Episode 3 “Plan B”Dark Days – Yard Act Episode 5 “Funeral for a Friend”People Ain’t No Good – Nick Cave and the Bad Seeds 最后五集的名字，谁来盲猜个谜底。

"Antwerp Blues""The Crossroads""Helter Skelter""Beggars Banquet""The Beast In Me"（这个me是Harry吧？

）PS 巧了，中午走在路上看见这么一个，哈哈哈哈！

PS2 贴一个《卫报》的MobLand剧评，这把汤老师给夸的Tom Hardy can be very persuasive. In Taboo, people did what he said because he’d growled something intimidatingly gothic at them; in Locke, they knew he’d only phone back later if they didn’t give in; in the Kray brothers biopic Legend, there were two Tom Hardys and they were both holding claw hammers. Whenever he’s the celebrity reader on CBeebies Bedtime Stories, meanwhile, half of the adults watching wouldn’t need any persuading.The idea that a Tom Hardy character cajoling, threatening or influencing someone is an art form in itself is the core of MobLand, a decent new gangster epic that casts Hardy as top fixer Harry Da Souza. Harry works for the Harrigans, the Irish clan who dominate the London drugs and guns scene, but who are prone to excess and perhaps not as savvy as they once were. Their charming, clinical lieutenant Harry cleans up their messes.Problem one in episode one is that spoiled wild child Eddie Harrigan (Anson Boon) has been on a bender which ended with the stabbing of a geezer in a nightclub – “I gave him a plunge,” says Eddie, his voice too plummy to pull off hardman vernacular – and which could cause the perennial tension between the Harrigans and cockney crime dynasty the Stevensons to develop into a properly naughty war. Harry has to bring Eddie to heel, placate enemy kingpin Richie Stevenson (Geoff Bell), and either sweet-talk or scare witnesses to the knifing, according to whether he wants them to share information or keep stumm. Then he ambles back to his luxury Thames-view apartment, where his neglected wife, Jan (Joanne Froggatt), demands he sign up for couples counselling – but before she can finish her list of grievances, Harry’s phone goes off and he’s reporting for duty again.Hardy’s charisma here is made of confidence and competence: Harry is a guy whose strong hands sort things out. “If I say I’m going to do something,” he says, when his reliability is questioned, “it gets done.” MobLand’s writer/creator Ronan Bennett is interested in organised crime as a business that runs on common sense and people management: while the Harrigans make the big decisions, the workaholic Harry liaises with their industry’s toothless regulator (the police), disciplines errant staff members and implements the odd, rather sudden, redundancy. Harry is essentially a resourceful, well-connected executive, so Hardy gives him a penetrating articulacy, only occasionally flecked with the rough grit Harry must have had in his days as a foot soldier.“Right now, I am in first gear,” says a gun-wielding Harry to two toerags who think they’re hard enough to not do what he tells them. Hardy delivers the punchline – “Would you like to see me shift to sixth?” so calmly that he’s barely audible, which is awfully close to hilarious. But Bennett and Hardy are willing to lean in to Harry’s comic potential, as when he tells another small-time crook what will happen if he crosses the Harrigans: “I, or possibly one of my associates, depending on my availability, will find you.”The Harrigans are fun, too. There’s the boss, Conrad, a wax-jacketed nouveau aristocrat who spits on his hands and claps when he receives good news, or murders people when he doesn’t. What may be mistaken for an erratic performance by Pierce Brosnan is an attempt to embody a dangerously erratic man. Then there’s the real boss, Conrad’s omniscient wife, Maeve (Helen Mirren), and their son Kevin (Paddy Considine), Eddie’s dad, whose missing ruthless streak means he’s constantly professionally cuckolded by Harry, who is not blood but is the favoured child.If MobLand sounds like a more sophisticated take on the cartoon gangster shenanigans of a Guy Ritchie film, that’s what it is: Ritchie directs the first two episodes. You expect either to dismiss a new Ritchie project as crass twaddle, or to quietly chide yourself for enjoying something that probably is crass twaddle, but has been made with enough mischief and flair for you to stop fussing and have a good time. This, however, isn’t in either category.Ritchie’s direction is … pretty good. Accomplished. Smooth. He flexes various muscles he has built up in previous work, as he takes us to old-school boxing gyms and flat-roofed Isle of Dogs boozers, gentleman’s clubs and Cotswolds estates. We’re tasting jellied eels in one mouthful and caviar in the next, the point being that successful criminals often achieve a level of wealth they were not born to handle.Aside from that, and some indications that Maeve’s power comes from having learned to weaponise the dark perversities of the men in her life, there’s not much of the psychological depth that a premium mob saga runs on. But if you ever start thinking MobLand isn’t worth your time, Tom Hardy will be along shortly to convince you otherwise.PS3 第五集的Maeve太疯了。

MobLand已到季中，五集有四集是在结尾挂掉一个人，反转比当年“权游”有过之而无不及。

第五集刚一播完，外媒已经开骂了。

比如Screen Rant就说该剧叙事生硬、剧情线不讲究动机与连贯性、多条支线被随意拾起又丢弃、临近季中仍无清晰主线，并说第五集剧情更是混乱（Esquire也搞笑地说by now, the story has racked up more lines than Eddie Harrigan on a night out.）、最后十分钟突然反转仿佛前四集从未存在、布鲁斯南和米伦饰演的角色令人厌倦是严重选角失误等等等等（这么一看，戏剧感是有点儿过于刻意了，Maeve疯得太过了，谁让海伦·米伦说她是以演麦克白夫人的方式演Maeve呢）。

当然也有夸Richie这个角色演得好的（Richie简直不要太惨）。

《洛杉矶时报》采访布鲁斯南让他透露点儿MobLand后续剧情时，他回答：There’s a fair bit of blood. Not everyone is who they say they are. And there’s a particular rat in the pack. There’s quite a few surprises. All the scripts were consistent with what you’ve already seen. If anything, the writing gets stronger. And there’s an introduction of a particular character who alters the landscape. But don’t trust any of them. 总之，线头儿忒多，一季是讲不明白了，还得有第二季。

我的天，我才发现海报上汤老师的右手。。。

是P过的！

IMDb上不知道是写错了还是啥，第一季全部十集都出现的角色只有Harry、Conrad、Jan、Bella、Eddie、Maeve，而Kevin只有五集，也就是说两个疯子Eddie和Maeve至少到第一季结尾都还活着，而Kevin。。。

要挂不成？

PS4 MobLand热播，还有《毒劫》（MobLand刷新了Paramount+一个开播纪录，《毒劫》虽然评价呈两极，但上线首周即登顶网飞全球收视榜）。

所以，Slate上有篇文章写得挺有意思，叫How I Learned to Stop Worrying and Love Tom Hardy （The star of the Venom movies and Mad Max: Fury Road was supposed to be the next Brando. He’s turned out to be something else entirely.） https://slate.com/culture/2025/04/tom-hardy-havoc-mobland-venom-movies-netflix.html 在谈到这两个作品时说：MobLand is a show about compartmentalization, about how getting in bed with evil prevents you from ever being your full self. It thus requires a lead performance that is a simmering pot, never quite at full boil. Harry is always pretending he’s OK. In one scene, he’s like a charming little boy trying to dodge a fight with his wife, and in another, while shaking down a witness, he’s the most dangerous man you’ve ever met. Harry can turn that danger on or off like a table lamp, using subtle changes in tone of voice and physical presence. The whole performance is as intricate as the wrinkles in Hardy’s forehead, in a way that a more conventional star would’ve probably not bothered with. MobLand is compulsively watchable, but beyond its performances (the great Paddy Considine and Downton Abbey’s Joanne Froggatt do excellent work as well), it’s pretty shallow. By taking the role seriously, even though it’s for a work of popcorn entertainment, he both anchors and deepens the show. The same is true for Havoc, which, if you like your action grim and relentless, will suit your fancy. Yeah, he does the eye thing, but watch closely, and you’ll see that he’s developed a total physicality for the role of Walker, one in which he is always listing slightly to the right, and somehow manages to lumber and move with ginger hesitancy at the same time, indicating a body that has taken its share of hits over the years. Vulture这篇超长的汤老师作品大排名也值得一看 https://www.vulture.com/article/best-tom-hardy-movies-ranked.html再次回到这篇一开始的问题Harry和Bella的关系，因为又看到一篇Collider采访剧中女演员们的文章，Collider直接说Harry和Bella此前是有点儿啥的，问Bella的饰演者Lara Pulver未来二人关系走向如何，回：“像猫鼠游戏”： I think Bella finds fun and almost a reprieve in Harry. They share wit and humor. Look, I'm not sure whether she emotionally or physically wants to get involved with Harry, but she has a lot of fun poking at the bear. It's a bit cat and mouse-y, a bit of just pushing boundaries. I think she's a bit sick of the identity, and the place that she's been in for quite a while, and it's almost like she's rebelling, and just flexing her muscles and seeing what avenues she can explore. 汤老师语录：“I have been an actor for quite a while now. I’m old. It’s okay though because I always wanted to play the characters when I was younger that I’m the age to play now - and now, I want to be young again.” When asking Hardy about his own acting method today, he said, “Oh, I don’t have a method. I’ve studied so many methods - so many - that you take a little bit from everything. Ultimately, the fundamental that I have, if anything, is Do I like this? What do I like about it? and ask questions. Get to know the people I’m working with on it, especially the writer, the director. Get right in the middle of the weeds with them and understand what is it that you want to say, because I can create and conjure.” He added: “You take what works for you and everybody’s different - in the same way I wouldn’t advise another actor how to do something. It’s not my business. It’s a language - any method necessary. If anything, I’ve refined that to just the joy of storytelling.”He added about his current mindset towards acting: “Sometimes, it’s not a question of going out there and doing like, I did the greatest performance of my life! It’s not that anymore. That was a young Tom - that doesn’t really matter in the same way. What matters are the choices that I’m making. Do they work with other people? Can I still go for things that I’m excited to go for, that are a challenge, while also still meeting the requirements within the team, as well?”Regarding the evolving landscape of the film and television industry, Hardy said, “I’ve noticed patterns or things move from shooting on film to digital to streamers. Post-Covid, I’ve noticed the sort of changes in genres that have been popular. The changes in chasing the tax - like cutbacks. What countries we’re going to then? Where do we hire crews from? It’s these patterns, but it further immerses one in the industry of going, I’m a functioning part of that, which is something I’m really grateful for. I never really chased wanting to be a celebrity or be famous or anything like that. I love working. If I don’t work, I love doing jiu-jitsu. I will find fun in what I do. I’m curious and I want to be part of and useful and serve a purpose.”“There is a part of me that’s gone back to the drawing board. New starts - I think there’s a return to what’s important of why I started, what I can do now. This is a generational thing, so an acting career shouldn’t stop just because you’re 50 now. It’s about recalibration and laying the track down for things that are meaningful and have purpose. And if not, don’t do them - don’t do anything. Just let it go. Some things are more important than just doing for the sake of doing, you know?”关于与塞隆的不和（只看Mad Max是很难想象的，片中俩人完成度太高了，结尾的眼神戏真好）：Hardy admitted that he'd been 'over my head in many ways' at the time, adding: "What she needed was a better, perhaps more experienced partner in me... That's something that can't be faked. I'd like to think that now that I'm older and uglier, I could rise to that occasion." PS5 第六集实在让人一言难尽。。。

不过，居然还有外媒盯着Harry、Jan、Bella所谓三角关系的？！

真的是三角关系吗？！

称：Jan Da Souza and Bella Harrigan also came face to face for the first time under awkward circumstances. This not only gives audiences a different dynamic to up the ante, but also allows these two actors time to lock horns. There is an emotional rivalry and latent love triangle between them and Harry, which deepens this melodrama and proves “Antwerp Blues” is about more than a diamond deal. 第六集一共才40分钟出点儿头长，Harry的戏份儿每一帧都变得宝贵起来，在Harrigan家听父子争执时的那几个小眼神真的是出彩儿。

Screen Rant毒舌得搞笑，说第六集"There’s a shootout, though Harry misses it. Hardy’s face is covered by a motorcycle helmet for half the episode as he rushes to collect the sibs; he may not have even been on set."又是随便看到的一篇类比汤老师和马龙·白兰度的文章https://faroutmagazine.co.uk/actor-christopher-nolan-compared-to-marlon-brando/，也挺有意思。

Ever since he permanently changed the face of screen acting, at least one actor has emerged with each passing generation who earns comparisons to Marlon Brando, for better or worse… Robert De Niro, Al Pacino, and Jack Nicholson are three that instantly come to mind, and while the trio are definitely among the all-time greats, none of them would dare suggest they could even dream of lacing up Brando’s boots. They each possessed similar traits, though, and his status as the measuring stick ensured his name would always be invoked… For a 21st century counterpoint, most people would be quick to point to Tom Hardy. 这评价，厉害了。

文中还有诺兰提到的汤老师的内外表现力的魅力："He combines the inner intensity of Brando with the outer expressiveness of a Charles Laughton."Vogue搞的这个也够搞笑，尽管是2014年的。

最新出炉的Esquire采访https://www.esquire.com/uk/culture/a64686546/tom-hardy-interview-2025/?taid=681ddfdb79cfff00010eac09&utm_campaign=trueanthem&utm_medium=social&utm_source=twitter&continueFlag=6f39947fef29754d9e9f7220048c959f 而且透露了MobLand会有三季，第二季今年10月开拍。

PS6 Harrigan家终于赔上一个了，老让Richie家挂人也是不合适。

这剧现在是主打一个瞎编了，就这，还要编三季？！

算了，瞎编就瞎编吧，谁让你瞎编也没妨碍我们追呢，掩面中。。。

Has MobLand Been Renewed For Season 2?Nope, but hang tight. Hardy has been teasing plans for the Harrigans and Harry to go “international” to continue for “more seasons,” as he told Hollywood Reporter:“The plan is definitely to see more seasons. The question is: Does it become international? There are international elements to organized crime, which are touched on in season one and the control of drugs and ammunition and weapons and people and all kinds of things that go through Europe and from Africa through to South America, Pakistan and the variable commodities that move around Europe. There are families that are involved in each European country that are vying for power to have that status to be able to move these kind of commodities through and who polices that and how that fits into a world stage.”无法想象，第二季这“国际化”得胡编乱造成啥样。。。

搞笑的是，ChatGPT还给我来了个：哈里角色发展与心理演变曲线（第1集至第7集）

Screen Rant最新的这篇剧评骂得又狠又搞笑，https://screenrant.com/mobland-season-1-episode-7-review/ "Hey don't worry, we'll get to these plots soon! Just as soon as we figure out what we're doing in the main story!"

PS7 这两天老罗在今年戛纳拿了一个终身成就奖，这让我昨天早上想起了“黑帮专业户”老罗当年令人泪流满面的《美国往事》，当时就在想，同为“黑帮专业户”的汤老师难道不能有什么片子也让人哭上一遭吗？

巧了，结果晚上就补课看了一个《传奇》，哭得稀里哗啦（尽管外媒打分没有很高，我却觉得绝对值8分以上。

导演布莱恩·海尔格兰德擅长的其实是编剧而非导演，而自2015年的《传奇》后，他隔了八年才在2023年再执导筒）。

是我无知了，原来，十年前，汤老师就已经拍出一部“伦敦往事”了。

虽非《美国往事》那一挂，前三分之二甚至很多桥段“黑喜”得让人乐不可支，可后三分之一画风突变，如同点燃一颗催泪弹，哭爆。

尽管《卫报》有评论说那场家暴戏与原型人物不符，但泪点初始的确就是那场家暴戏。

汤老师令人心心念念的复杂眼神演绎，终于有了配得上的催泪效应。

2015年实在是汤老师的大年，拿了奥提的《荒野猎人》是这一年，大爆之作《疯狂的麦克斯4：狂暴之路》是这一年，《传奇》，也是这一年。

十年前带着《传奇》参加TIFF时，他说：Just to get a job is pretty cool. I’ve far exceeded my expectations. I just came to deliver a pizza and I’m doing pretty well.

是kevin，早就恨他爸，知道自己媳妇和他的事。

警f要弄他家，和他deal，搞掉邦德，他就是老大。

Stevenson的手下被hardy弄si了也是因为说kevin是内鬼的缘故。

只能这么解释。

Kevin看起来人畜无害，最合适的反转。

hardy也不是jc。

凑字数凑字数

获取资源点这里《黑帮领地》以伦敦地下犯罪世界为舞台，构建起充满张力的黑帮叙事体系。

表面经营军火与毒品生意的哈里根家族，正面临警方追查与敌对势力的双重威胁。

家族核心由康拉德（皮尔斯・布鲁斯南饰）与梅芙（海伦・米伦饰）掌控，前者以铁腕手段维持统治，后者则凭借谋略布局家族未来。

夜店冲突点燃帮派战火剧集开篇以夜店暴力事件切入：哈里根家族继承人埃迪（安森・布恩饰）因毒品致幻捅伤路人，“调解员” 哈利（汤姆・哈迪饰）迅速启动危机处理程序。

通过销毁物证、威逼目击者、篡改医疗档案等系列操作，成功掩盖犯罪事实。

然而更大危机随之而来，与埃迪同行的敌对家族继承人汤米（费利克斯・爱德华兹饰）失踪，其父里奇（杰夫・贝尔饰）下达 24 小时通牒，否则将发动帮派战争。

命案升级暴露深层矛盾调查显示汤米已遭杀害并被肢解，这起命案彻底激化两派矛盾。

哈利作为 “清道夫” 角色，既要化解家族危机，又需提防成为权力斗争的牺牲品。

家族内部同样暗流涌动，康拉德的果断决策依赖梅芙的智谋，而看似温和的梅芙实则将问题少年埃迪视作家族未来核心。

多线叙事展现复杂人性导演盖・里奇延续标志性多线叙事与快节奏剪辑，同时深入刻画角色多面性。

哈里根家族成员栖身伦敦眼豪华公寓，却采用中世纪暴力手段维持统治；哈利执行冷酷任务的同时，还要处理婚姻危机。

这种现实与荒诞的交织，打破传统黑帮故事的善恶二元对立，展现利益与血缘交织的生存法则。

未解悬念推动剧情发展目前剧情埋下多重悬念：汤米之死是否存在幕后黑手？

哈利能否在帮派倾轧中保全自身？

梅芙面部伤疤背后隐藏着怎样的血腥往事？

随着两大家族正式开战，背叛与牺牲将成为这场权力博弈的主旋律。

对于偏好《浴血黑帮》权谋风格与《教父》家族史诗的观众，这部充满英伦风情的犯罪剧集极具观赏价值。

作为盖·里奇暴力美学的又一次高燃升级，《黑帮领地》以伦敦黑帮的刀光剑影为画布，泼洒出令人屏息的家族史诗。

剧集开篇便以纨绔子弟埃迪的致命冲动为导火索，将哈里根与史蒂夫两大家族的百年积怨炸裂点燃，皮尔斯·布鲁斯南饰演的教父康拉德堪称当代黑帮角色的典范——品威士忌时像牛津教授，下达灭口令时却如同撒旦附体，这种优雅与暴戾的极致反差，在汤姆·哈迪饰演的“清道夫”哈利身上得到镜像呈现：他擦拭血迹的动作带着芭蕾舞者的精准，口中念着“家族至上”的誓言却暗藏刀刃。

盖·里奇招牌的多线叙事如精密齿轮咬合，夜店血案、证词篡改、继承人失踪等事件环环相扣，当观众以为这仅是黑帮械斗的俗套戏码时，剧集却撕开华丽袍子，露出权力博弈中的人性虬结——忠诚成为交易筹码，仁义化作攻心战术，就连海伦·米伦端着的骨瓷茶杯里，都漂浮着阴谋的茶叶梗。

这部充斥着西装暴徒与哲学子弹的黑帮新经典，让每帧画面都成为道德困境的试炼场。

动作卣尊屦鲳璠多好ctrl.C打开侉剋

作为中年男人，看这剧非常有共鸣：即便你使尽浑身解数努力生活，已经是顶尖专业人士，总是在战斗中一次次胜利，奈何你有个傻逼的老板，混乱的公司，对你怎么都不满意的老婆，和一个可爱但叛逆啥也不懂事的孩子。

你想照顾好他们每个人：你敬爱你的老板，想和他一起拼一番事业，但他已不复当年睿智，总是辜负你的辛苦；你忠于你的公司，想靠努力打拼创造辉煌，但公司里面错综复杂互相内耗的关系，总有解决不完的问题拖你后腿；你热爱家庭，努力工作竭尽所能想给妻儿美好的生活，他们却怪你照顾家庭太少不够关心他们，并因此要惩罚你。

唯一能减压的可能就是工作，还有面对同样困境的兄弟。

看到大量骂哈利根家全员智商问题的，但有没有可能编剧就是这么编的呢？

墨西哥人说了：康拉德老了，不再是十年前的强大，现在衰老疯狂混乱。

比如炸死对手老婆却没提前准备，导致儿女遇险，貌似矢智到瞎编；但牛逼如曹操当年起兵也差点坑死老爹，历史上类似情况多了，他一个草莽黑帮犯这种错实在不算稀奇，只能说老头实在昏聩了。

又如说主角老婆多事傻缺到不合逻辑，但实际上这样的女性不要太多。

在本剧《黑帮领地》中，埃迪和梅芙这两个角色之间的关系充满了复杂与矛盾。

埃迪是哈里根家族的“末流”成员，是康拉德和梅芙的孙子，而梅芙则是家族中极具影响力的幕后操盘手。

他们的关系，从某种程度上来说，是家族权力与年轻一代冲动的碰撞，而这种碰撞，最终让观众对他们两人都“恨得牙根痒”。

埃迪的鲁莽和冲动是剧中的一大看点，也是引发家族危机的导火索。

他在夜店中酒后捅人，引发了两大帮派的冲突。

这种行为不仅给家族带来了巨大的麻烦，也让观众对他充满了愤怒。

他的行为似乎完全不顾及家族的安危，只图一时的快意恩仇。

这种不顾后果的冲动，让观众对他恨得咬牙切齿，甚至在心里默默祈祷“埃迪必须死”。

而梅芙，作为家族的智囊和幕后掌控者，她的冷静与狠辣与埃迪的冲动形成了鲜明对比。

她能够在复杂的情况下迅速做出决策，甚至不惜牺牲自己的孙子来维护家族的利益。

她的这种冷酷无情，让观众对她的恨意丝毫不亚于埃迪。

她轻抚孙子头发时像慈祥祖母，转头就能用一句“斩草要除根”让康拉德改变计划。

这种角色的复杂性，让观众在恨她的同时，也对她的能力感到敬畏。

埃迪和梅芙的冲突，不仅仅是家族内部的矛盾，更是两代人观念的碰撞。

埃迪代表着年轻一代的冲动与鲁莽，而梅芙则代表着老一辈的权谋与冷酷。

他们的冲突，让观众看到了家族内部的复杂与矛盾，也让观众对他们两人的命运充满了期待。

在《黑帮领地》的世界里，埃迪和梅芙的死亡，或许是剧情发展的必然，也是观众情感的强烈诉求。

他们的存在，让观众看到了人性的复杂与黑暗，也让观众更加珍惜生活中的善良与美好。

他们的死，是对他们行为的清算，也是对观众心中正义的慰藉。

《黑帮领地》以其复杂的人物关系和深刻的主题，让观众在愤怒与无奈中，感受到了人性的力量与脆弱。

埃迪和梅芙的冲突，不仅是家族内部的矛盾，更是两代人观念的碰撞。

他们的死亡，或许是这部剧最令人痛快的结局，也是观众心中正义的胜利。

劇情銳利如刀，緊張感從不鬆弛，角色行為始終符合其本性——而非僅為推動劇情服務。

無論是政治野心、喪失之痛、忠誠還是背叛，每個動機都紮實可信，毫不突兀。

哈里是全劇最耀眼的明星：沉著冷靜，忠誠到近乎偏執。

這種角色在當今影視中極為罕見——他能以平靜的權威力挽狂瀾於既倒。

他與凱文之間的互動充滿層次卻不流於煽情，源於共同的歷史與真摯的情感紐帶。

敘事緊湊有力，節奏從未松懈。

影片以自信的方式構建緊張感——風格十足卻不浮誇，聰明機智卻不自鳴得意。

每個場景都讓你更深陷於它描繪的黑幫世界。

首集就驚艷全場。

精良的製作、緊湊的節奏、精準的氛圍把控，讓人一看就知道這劇知道自己要什麽，於是我繼續追下去。

劇情線交織得嚴絲合縫，每個轉折都水到渠成，每個揭露都恰到好處。

而角色...這才是真正的殺手鐧。

那些你本該憎恨的人物，你卻開始理解他們。

本劇的強項在於克制之美。

它不依賴炫目的視覺效果或連續不斷的動作戲，而是透過寫實風格與精湛演技來營造張力。

不過若你期待蓋·里奇式瘋狂能量——那些鋒利對白、標誌性剪輯或誇張炫酷的風格——可能會略感失望。

畢竟里奇只是本劇製片人而非創作者，這點從劇本風格便能看出：更樸實，更冷峻。

它並非十全十美之作。

儘管扣人心弦，但是不像那些層次豐富、體系完整的劇集那樣值得重溫。

當所有謎團揭曉後，二次觀看能發現的新內容實在有限。

但作為單次觀影體驗，絕對值得。

第七集看完汤老师一个电话，就能刀下留人？！

这比编剧都猛还当个牛马打工人不是二么？

其实布兰登蛮可爱的他才是这部戏最正常的人还有这个梅芙啊一介女流之辈 一天到晚的无间道我不知道大英真实黑帮有没有这个笔调事太奇葩了要么编剧yy的，要么编剧喝多了还有汤老师的老婆，简直弱智知道老公整天干这比掉事 还以为有真友情一把年纪 忒不真实了

我给9分。

我喜欢。

7.7分明显偏低。

是有些剧情不合理的地方。

揭露人性地方 比如为什么kevin最后还是杀了狱监？

他其实已经自我救赎了 我给9分。

我喜欢。

7.7分明显偏低。

是有些剧情不合理的地方。

我给9分。

我喜欢。

7.7分明显偏低。

是有些剧情不合理的地方。

我给9分。

我喜欢。

7.7分明显偏低。

是有些剧情不合理的地方。